So, news.
Uniquely American objects.
I have a US green card. Well, I have a thing in my passport which entitles me to enter the USA within the next five months and hold permanent residency.
It was nearly two years ago I entered the Diversity Visa lottery on a whim, but my number came up (literally) and I went for it. It’s been a long process – from entering the lottery to entering the United States will be 26 months all up – but hardly an arduous or harrowing one. All in all, if you meet the criteria and are careful and conscientious with your paperwork, getting from the chance stage to the “heck yes I got me a green card” stage is straightforward*. My interview at the US Consulate had remarkably few questions for me to answer – just a two-hour wait while I read some Thomas Mann.
So I am moving in less than five months. Today I booked flights from Auckland to New Jersey to see my sister and my nephew (who is currently -6 weeks), and following that I will migrate westward to Chicago and settle there.
What a lovely view.
Why Chicago? In short, because the North Side of that city has the highest concentration of comedy, sketch and improv on the planet. Three of the best improv shows I’ve ever seen were during a short stay in Chicago last year. Also, thanks to the heritage of The Second City, there’s great respect for the role of music in comedy.
Furthermore, just this year there have been all sorts of venue expansions for the better:
– iO is relocating from two stages in Wrigleyville to their new four-stage home in Goose Island, with one theatre dedicated to a new sketch revue from TJ & Dave;
– The Annoyance has just moved from Uptown to Belmont;
– The Second City is expanding its premises in Old Town;
– and least of all, but most excitingly for me, Chicago now has possibly the world’s only theatre dedicated specifically to musical improv and musical comedy.
This image, on my own site, is 14th in my Google Images search results for “improv troupe stock photo”.
However, there is a wider question: why improv? To compare to other things I’ve done and could pursue overseas, it’s not as stable as a job as a radio producer or presenter; it’s not as well-paying as composing (assuming you can attract commissions); and it’s a lot more niche than music recording and production.
But out of all those things within New Zealand, there are many composers, lots of broadcasters, and plenty of people who produce music, yet there are very few of us who do musical direction for comedy. There are even fewer who play music for improv. If I’m going to pursue something, it should be the thing that I am the most specialised in. The United States is a big place with potential careers that simply do not exist here in New Zealand, and you don’t just turn down a green card.
This is a daunting time – I’ve never moved countries before, I’ve never sold a large proportion of my worldly possessions, I’ve never calculated rent by the month, and figuring out the United States’ health insurance systems scares the crap out of me. Also, January is not exactly the warmest time to move to Chicago. Regardless, I am finally fulfilling every middle-class kiwi’s destiny by living overseas.
I will hold a massive farewell bash in Auckland on Saturday 13 December (also my 30th birthday), and departing New Zealand exactly two weeks later. In the meantime, you should give me lots of well-paid work, cause I’m freelance and I need the money.
This is happening!
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* As long as, like me, you are an educated, healthy, white, middle class male native speaker of English with a sensible haircut, a clean criminal record and no visible piercings or tattoos, and are not a member of any organisation to the left of the Labour Party. It also made life administratively simpler that I am unmarried, have no children, and have never lived in a country other than New Zealand. And it helps I live only 35 minutes’ walk from the only US Consulate in this country. Your mileage may vary, but in most cases you have nothing to lose by applying. DV-2016 opens October 2014.
